Œš’z‰Æ–¼Ìˆê——

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‚  ˆÀ“¡’‰—Y
“Œ@FŒõ (azuma takamitsu) ¨@1933”N‘åã•{¶‚êB‘åã‘åŠw–¼—_‹³ŽöAç—tH‹Æ‘åŠw‹³ŽöB
rìCì
–Ø~
ˆ°Œ´ ‹`M
ˆ°Œ´ ‘¾˜Y@iashihara taro) ¨@1950”N“Œ‹ž¶‚êB
ƒA[ƒLƒeƒNƒgƒtƒ@ƒCƒu
‘Š“c ••¶@¨@1937”N“Œ‹ž¶‚êBŽÅ‰YH‹Æ‘åŠw–¼—_‹³ŽöB
–Ø@–Î@¨@1948”N‘啪¶‚êB
óÎ@—D@iasaixhi masaru) ¨@1947”N“Œ‹ž¶‚êB
ˆ¢•”@‹Î (abe tsutomu) ¨@1936”N“Œ‹ž¶‚êB
ˆ¢•”@mŽj (abe hitoshi) ¨@1962”N‹{錧¶‚êB“Œ–k‘åŠw‹³ŽöB
ˆ¼ì@“§ (ayukawa toru) ¨@1951”N•Ÿ‰ª¶‚êB‹ãBŒ|pH‰È‘åŠw”ñí‹ÎuŽtB
V‹@çH (arai chiaki) ¨@1948”N“‡ªŒ§¶‚êB•‘ H‹Æ‘åŠw‹qˆõ‹³ŽöA“Œ‹ž—‰È‘åŠwuŽtB
ã“c@꟢@iageta takayo)¨@1942”N‚’m¶‚êB
‚¢ ÎŽR@C•i²¼ÔÏ µ»Ñj
ƒCƒTƒ€EƒmƒOƒ`
ˆéè V@iƒCƒ\ƒUƒL@ƒAƒ‰ƒ^j
ˆÉ“Œ –L—Y (ito toyo) ¨1941”N‹žé¶‚êAŒã’·–ì‚ÖBˆÉ“Œ–L—YŒš’zÝŒvŽ––±ŠB
ˆÉ“Œ ’‰‘¾
¡ˆä Œ“ŽŸ
“ü] ŽO‘î
Îˆä ˜ah
Šâ‘º ˜a•v (iwamura kazuo) ¨@1948”N_ŒËŽs¶‚êB•‘ H‹Æ‘åŠw‹³ŽöB
”Ñ“c ‘P•F (iida yoshihiko) ¨@1950”N‰Y˜aŽs¶‚êB
ŒÜ\—’@~@(igarashi jun) ¨@1970”N–kŠC“¹¶‚êB
’r“c@•–M (ikeda takekuni) ¨@1924”NɪŽs¶‚êB“ú–{ÝŒvB
Έä@C@iishii osamu) ¨@1922”N“Þ—ÇŒ§¶‚êB”üŒšEÝŒvŽ––±ŠB
o]@а@(izue kan) ¨@1931”N‹ž“sŽs¶‚êBo]Œš’zŽ––±ŠB
ˆÉ’O@@(itami jun) ¨@1937”N“Œ‹ž¶‚êBˆÉ’OŒš’zŒ¤‹†ŠB
ˆÉ“¡@а@(ito hiroshi) ¨@1956”N’·–쌧¶‚êB_“Þì‘åŠwA•‘ –ì”üp‘åŠw”ñí‹ÎuŽtB
¡‘º@‰ëŽ÷ (imamura masaki) ¨@1953”N’·èŽs¶‚êB“ú–{‘åŠw—HŠw•”•‹³ŽöB
Šâˆä@Œõ’j (iwai mitsuo) ¨@1945”N“Œ‹ž¶‚êBŽO•H’nŠÝŒvê–±Žæ’÷–ðB
‚¤ “àˆä º‘ 
”~—Ñ@Ž (umebayasi katsu) ¨@1963”N‹ž“s•{¶‚êBFOBAB
‚¨ ‘å‚ ³l
‰ª“c Vˆê
‰ª“c Mˆê˜Y
‹S“ª ˆ²i±½Þ»Hj
D“c —LŠyÖ
ƒIƒfƒbƒZƒC@ƒIƒu@ƒCƒXƒJ
‘å] G
‘å‰Fª@OŽi@(oune hiroshi) ¨@1941”NɪŒ§¶‚êB“Œ‹ž—‰È‘åŠw”ñí‹ÎuŽtB
‘å]@‹§ (ohe tadasu) ¨@1954”N‘åã•{¶‚êB
‘¾“c@—²M@(ota takanobu) ¨@1934”N‘ä˜p¶‚êBâ‘qŒš’zŒ¤‹†Š‘ã•\Žæ’÷–ðA‘åãŒ|p‘åŠw‹³ŽöB
‘å–ì@G•q@(ohno hidetoshi) ¨@1949”NŠò•ŒŒ§¶‚êB“Œ‹ž‘åŠw‹³ŽöAƒAƒvƒ‹‘‡Œv‰æŽ––±ŠB
‰ª‘º@‘×”V (okamura yasuyuki) ¨@1960”N’¹ŽæŒ§¶‚êB
¬ì@Wˆê (ogawa shinichi)@¨@1955”NŽRŒûŒ§¶‚êB
‚©s
‚© ƒJƒWƒ}EƒfƒUƒCƒ“
ì‡ Œ’“ñ
•ÐŽR@“ŒŒF
”–Ø@_ˆê (kashiwagi koichi) ¨1946”N•ºŒÉŒ§¶‚êB•ºŒÉŒ§—§‘åŠw‹³ŽöB
•ÐŽR@˜ar (katayama kazutoshi) ¨@1941”N“Œ‹ž¶‚êB“Œ‹žåYp‘åŠw‹³ŽöB
ìã@Œbˆê (kawakami keiichi) ¨1952”N’·–쌧¶‚êB‘ˆî“c‘åŠw”ñí‹ÎuŽtB
Ц’|@Lˆê (kantake shinichi) ¨@1955”N•Ÿ‰ªŒ§¶‚êBɪ•¶‰»Œ|p‘åŠw‹³ŽöB
‚« –k쌴 ‰· ikitagawara atsushi) ¨@1951”N’·–쌧¶‚êB“Œ‹žåYp‘åŠw•‹³ŽöB
–kŽR@P (kitayama koh) ¨@1950”N¶‚êB‰¡•l‘—§‘åŠw‹³ŽöBWORKSHOPB
‹e’|@´ŒP@ikikutake kiyonori) ¨1928”N•Ÿ‰ªŒ§¶‚êB
‚­ ŒG Œ¤Œá (kuma kengo)@¨@1954”N‰¡•lŽs¶‚êBŒcœä‹`m‘åŠw‹³ŽöB
•ì ‹IÍ (kurokawa kisho) ¨1934”N–¼ŒÃ‰®Žs¶‚êB
ŒI–¾ (kuryu akira) ¨@1947”Nç—tŒ§¶‚êBê Ž––±Š‚ðŒo‚ÄAŒI¶‘‡Œv‰æŽ––±ŠBç—t‘åŠw‹³ŽöB
‹v•Û@´ˆê@(kubo seiichi) ¨@1953”NɪŒ§¶‚êB‘åãŒ|p‘åŠw‹³ŽöB
•ì@“N˜Y (kurokawa tetsurou) ¨@1943”N–k‹ž¶‚êB“Œ‹žŒ|p‘åŠw‹³ŽöB
•ì@‰ë”V@(kurokawa masayuki) ¨@1937”N–¼ŒÃ‰®Žs¶‚êB‹à‘ò”üpHŒ|‘åŠw‹³ŽöB
ŽR@šæ•v (kohyama hisao) ¨@1937”N“Œ‹ž“s¶‚êB“Œ‹ž‘åŠw–¼—_‹³ŽöB
‚± ¬–x ‰“B
‚³s
‚³ â‘q ŽO
â‘q ’|”V
²“¡ •—Y Ë ²“¡‘‡Œv‰æ
âV“¡@Œº@(saito ken) ¨@1956”N•Ÿ‰ªŒ§¶‚êB
â“c@½‘¢@(sakata seizou) ¨@1928”N‘åãŽs¶‚êBâ‘qŒš’zŒ¤‹†ŠŽæ’÷–ðB–¾Ž¡‘åŠw‹³ŽöB
ŸNˆä@Œ‰ (sakurai kiyoshi) ¨@1950”N_ŒËŽs¶‚êB“úŒšÝŒvŽæ’÷–ðB
²“¡@’¼–¤@(sato naomi) ¨@1955”N“Œ‹ž¶‚êB‹e’|Ž––±Š‚ðŒo‚ÄRafael Vinoly Architects‹Î–±B²“¡’¼–¤Œš’zŒ¤‹†ŠÝ—§B“Œ‹žH‹Æ‘åŠwA•‘ –ì”üp‘åŠw”ñí‹ÎuŽtB
²–ì@‹g•F (sano yoshihiko) ¨@1954”N_“Þ쌧¶‚êB
‚µ ”’ˆä@îˆêi¼×² ¾²²Áj
ŽÂŒ´ ˆê’j
ƒV[ƒ‰ƒJƒ“ƒX
’Å–¼@‰pŽO (shiina eizo) ¨@1945”N“Œ‹ž¶‚êB‹{˜e’hŽ––±Š‚ðŒo‚Ä’Å–¼‰pŽOŒš’zÝŒvŽ––±ŠÝ—§B“ú–{‘åŠwuŽtB
i“¡@”É (shindo shigeru) ¨@1942”N“Œ‹ž¶‚êB‘嬌šÝ‚ðŒo‚ÄA&TŒš’zŽ––±ŠÝ—§B
‚· —é–Ø œ– (suzuki makoto) ¨@1935”N–kŠC“¹¶‚êB‹gã—²³‚ÉŽtŽ–B‘ˆî“c‘åŠwŒ|pŠwZ’·B
—é–Ø@ƒGƒhƒ[ƒh@¨@1947”N‹·ŽRŽs¶‚êB
›Œ´@“¹—Y (sugawara michio)@¨@1937”N¶‚êB
‚¹ ´‰Æ ´
å“c –ž (senda mitsuru) ¨@1941”N‰¡•lŽs¶‚êB“Œ‹žH‹Æ‘åŠw‹³ŽöA—®‹…‘åŠw‹³ŽöA–¼ŒÃ‰®H‹Æ‘åŠw‹³ŽöB‹e’|Ž––±Š‚ðŒo‚Ċ‹«ƒfƒUƒCƒ“Ž––±ŠÝ—§B
–…“‡ ˜a¢ (sejima kazuyo) ¨@ˆï錧¶‚êBŒcœä‹`m‘åŠw‹³ŽöB
ç—˜‹x
‚» ÛÝŒvW’c
‘]ª@Kˆê (sone koichi) ¨@1936”NɪŽs¶‚êBŽÅ‰YH‹Æ‘åŠw‹³ŽöB
‚½s
‚½ ’JŒû ‹g¶
’JŒû ‹g˜N
’O‰º Œ’ŽO
‚¼ L (takamatsu shin) ¨@1948”N“‡ªŒ§¶‚êB‹ž“s‘åŠw‹³ŽöB
’C–ì ‹àŒá
‘ë Œõ•v
‚‹´ ‚Ä‚¢ˆêitakahashi teiichij@¨@1924”N’†‘“‡Žs¶‚êB‘æˆêH–[B‘åãŒ|p‘åŠw–¼—_‹³ŽöB
’|’†H–±“X
‚»@³O (takasago masahiro) ¨@1956”N‘åã•{¶‚êB‘ëŒõ•vŽ––±Š‚ðŒo‚Ä‚»Œš’zŽ––±ŠÝ—§B”~‰Ô—Žq‘åŠw‹³ŽöB
‚–ì@CŽk (takano naotsugu) ¨@1968”N“Œ‹ž¶‚êB
‚ˆÀ@dˆê (takayasu shigekazu) ¨@1966”Nç—tŒ§¶‚êB
’|ŽR@ŽÀ@(takeyama minoru) ¨@1934”NŽD–yŽs¶‚êB•‘ –ì”üp‘åŠw–¼—_‹³ŽöB
‘½“c@‘Pº (tada yoshiaki) ¨@1950”N쌧¶‚êB‘ˆî“c‘åŠw”ñí‹ÎuŽtB
“c’†@F“T (tanaka takanori) ¨@1946”N¼âŽs¶‚êB
“c•Ó@–F¶ (tanabe yoshio) ¨@1958”NÂXŒ§¶‚êB“Œ‹ž—‰È‘åŠwuŽtB
š£@‹I•F (dan norihiko) ¨@1956”N_“Þ쌧¶‚êB“Œ‹žH‹Æ‘åŠwuŽtB
‚¿ ç—t@Šw (chiba manabu) ¨@1960”N“Œ‹ž¶‚êB“Œ‹ž‘åŠw•‹³ŽöB
‚Ä Žè’Ë‹M°{Žè’Ë—R”ä
“A@G˜a@(tei shuwa) ¨@1968”N‰¡•l¶‚êB
‚Æ “¯‰ï
“¿‰ª@¹Ž (tokuoka masakatsu) ¨1930”N‰¡•lŽs¶‚êB‹ž“sHŒ|‘@ˆÛ‘åŠw”ñí‹ÎuŽtB
“¿‰i@÷ (tokunaga yuzuru) ¨@1943”N‘ä˜p¶‚êB‹e’|Ž––±Š‚ðŒo‚éB–@­‘åŠw‹³ŽöB
‚Ès
‚È “à“¡@œAinaito hiroshi)@¨@1950”N_“Þ쌧¶‚êB‘ˆî“c‘åŠw‘åŠw‰@‚ɂċgã—²³‚ÉŽtŽ–B‹e’|Ž––±Š‚ðŒo‚ÄA“à“¡Š°Œš’zÝŒvŽ––±Š‚ðÝ—§B“Œ‹ž‘åŠw‹³ŽöB
’†‘º D•¶
’†”ö@а (nakao hiroshi) ¨@1961”N_ŒËŽs¶‚êB
’†‰€@³Ž÷ (nakasono masaki) ¨@1942”N¶‚êB¼“c•½“cÝŒvŽ––±ŠŽæ’÷–ðB
’†‘º@‹ˆê (nakamura kyoichi) ¨@1951”N’·èŒ§¶‚êB‹ãBH‹Æ‘åŠw”ñí‹ÎuŽtB
’†‘º@Œõ’j (nakamura mitsuo) ¨@1941”N“Œ‹ž¶‚êB“úŒšÝŒvŽæ’÷–ðB
‚É “úŒšÝŒv
¼‘ò@—§‰q (nisizawa ryue) ¨1966”N“Œ‹ž¶‚êB‰¡•l‘—§‘åŠw•‹³ŽöB
‚Ì –ìŒû@G¢ (noguchi hideyo) ¨@1954”N“Œ‹ž¶‚êB‹v•ÄÝŒv•”’·B
‚Ís
‚Í Œ´ LŽi
—Ñ ‰ëŽq
” –Î
’·’Jì ˆíŽq (hasegawa itsuko) ¨@ɪŒ§¶‚êB
–I{‰ê@’BŽu@(hachisuka tatsushi) ¨1950”N–¼ŒÃ‰®Žs¶‚êBNTTƒtƒ@ƒVƒŠƒeƒB[ƒYB
j¶@³ˆê(haryu shoichi) ¨@1942”N‹{錧¶‚êB‘æˆêH–[‚ðŒo‚Äj¶Œš’zŒ¤‹†ŠÝ—§B
•½‘q@Í“ñ (hiraoka syoji) ¨@1943”N¶‚êB
‚Ð Š™ƒj
‚Ó “¡X ÆM ifujimori terunobu)
‚Ù –xŒûŽÌŒÈi½ÃÐj
‚Üs
‚Ü ê  •¶•F (maki fumihiko) 1928”N“Œ‹ž¶‚êB
‘Oì@š ’j
‘‘ò@Ÿ«iϽ»ÞÜ ÏºÄj
¼‰ª@‹±Žq(matsuoka kyoko) ¨1964”N•Ÿ‰ªŒ§¶‚êBƒXƒsƒ“ƒOƒ‰ƒXEƒA[ƒLƒeƒNƒcB
‚Ý ‹{˜e@’hiÐÔÜ· ÏÕÐj
‚Þ ‘º–ì “¡Œá
‚à –Ñj@‹BžDiÓ½ÞÅ ·º³j
‚â ŽR–{—Œ°
ŽR‰º˜a³
ˆÀ“c@Фi¶ÝHj
–öàV@F•F (yanagisawa takahiko) ¨@1935”N¼–{Žs¶‚êB
ŽR“c Žç
‚æ ‹gã—²³/UŒ¤‹†Žº
‹g‘º@‡ŽO
ƒˆƒRƒ~ƒ]@ƒ}ƒRƒg
‹g“c “S˜Y
‰¡‰ÍŒ’
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‚ë ˜ZŠp‹Sä
‚í “n•Ó@–L˜a
“n•Ó@½
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A A.ƒŒ[ƒ‚ƒ“ƒh
B B.ƒtƒ‰[
B.ƒ^ƒEƒg
F.L.ƒ‰ƒCƒg
F ƒtƒBƒŠƒbƒvEƒXƒ^ƒ‹ƒN
H ƒwƒ‹ƒcƒH[ƒN&ƒhEƒ€[ƒƒ“
J J.ƒRƒ“ƒhƒ‹kJosiah Conderl
L ƒ‹EƒRƒ‹ƒrƒ…ƒWƒG
M ƒ~[ƒXEƒtƒ@ƒ“ƒfƒ‹Eƒ[ƒG
ƒ}ƒŠƒIEƒ|ƒbƒ^
N N.ƒtƒHƒXƒ^[
P P.ƒAƒCƒ[ƒ“ƒ}ƒ“
R R.ƒsƒAƒmkRenzo Pianol
R.ƒ”ƒBƒjƒIƒŠkRafael Vinolyl
W W.ƒOƒƒsƒEƒX

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